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Reading Aloud Chapter Books during Holidays or Family Trips

One of my favorite childhood memories is from one winter when all our family (mom, dad, me, and my younger brother) got a nasty flu and stayed home for a week or so. We were all feeling miserable, the four of us lying and resting in our parents' bed... it wasn't the best of times. Until my dad came up with the idea of a family read-aloud - and my mom chose a book for the occasion, and a great book at that - "Treasure Island" by Robert Louis Stevenson. All of a sudden, our miserable week was transformed. Mom and dad took turns reading, for 20 minutes or so at a time - they were also sick, after all! - and my brother and I listened and talked about the adventures of Jim and his friends and the pirates between the reads-aloud. In his beautiful poem "Block City" Stevenson described this sweeping feeling of a child's imagination running wild during imaginary games: What are you able to build with your blocks? Castles and palaces, temples and docks. Rain may k
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Telling Musical Stories with Sound Books: Swan Lake

Swan Lake Musical Sound Book (story by Lesley Sims, illustrations by Anna Luraschi) I didn't get into listening to classical music until I was old... er 😅 and I think it was a bit of a miss in my education as a child. That's why I'm especially passionate about including music (any music! But especially classical music) in early childhood education of my own kids, and of course also in our story circles. In the BBC Music Magazine article "How can I get my child into classical music?" Hannah Nepilova explores best ways to make children interested in and introduced to the classical music. According to Nepilova, one of the best ways to do that is to listen to music while telling a story. This makes a lot of sense since typically, as caregives and educators, we already have a habit of telling stories with our kids, so adding a habit of playing music while telling a story is really easy, especially if we have a good sound book handy. Many class

Stories about Summer - "Summer" by Rotraut Susanne Berner

Summer is in full swing in our part of the world, and it's a great opportunity to tell stories about the seasons, the changing weather and summer activities. "Summer" is a picture book by German artist and illustrator  Rotraut Susanne Berner . It's a part of the series called "All Around Bustletown" - or simply "Wimmelbuch" in Berner's native German . Wimmelbuch , or  Wimmelbilderbuch literally translates from German as a "book abound with pictures". German philologist Cornelia Rémi describes Wimmelbooks as "a type of wordless picture books which display a series of panoramas teeming with an immense amount of characters and details". According to Rémi, Wimmelbooks have "the potential to accompany children ... along their path to literacy and introduce them to different strategies of coping with the world and of telling stories". Indeed, in our story circle focused on  Berner's  Summer,

My Portable Story Classroom - More Items

I'm starting a new storytelling community - and I couldn't be more excited and also more terrified! Excited - because it's in my native Russian language, and because my youngest (he's 2.8yo) will be a part of it. Terrified - because it's the youngest group I've ever worked with, toddlers and young preschoolers: ages 3-5yo. Also it's probably the most diverse age category, since older siblings (5-7yo) will also join. I've written elsewhere how to start a storytelling community , and also what's in my portable classroom . Now, for this young and diverse audience, I'm adding more items to my portable classroom. Every activity needs a time and a place, and the items in our portable classroom will help to define these. Place: we're meeting at the local park. In order to "define" our little corner of the world, we'll bring: - Picnic blanket - to sit on and talk and read and play  - Garland - to make the space prettier a

Taking Storytelling Outside - and Upside Down

I love love love having story circle outside. True, there might be more distractions. But there's much more freedom. And freedom is great for any creative activity, including storytelling. Pippi Longstocking, arguably one of the freest and open-minded characters in children literature, is often portrayed upside down. “[Pippi] always slept with her feet on the pillow and her head far down under the covers. ‘That’s the way they sleep in Guatemala,’ she explained. ‘And it’s the only right way to do it. This way, I can wiggle my toes while I’m sleeping, too.‘” Astrid Lindgren, Pippi Longstocking (translated by Florence Lamborn).

Storytelling with toddlers - story circle structure

When my oldest kiddo was a toddler, I've tried to have an art activitiy in our local mommy and me group. I've brought finger paints and a big roll of paper. Couple of kids in the group were so eager to participate, they had a blast. They painted with their hands and feet. They got undressed to their diapers and got all arty and messy. Not my kid! He remained fully dressed, spot clean as he refused to touch the paint, and mounted on his tricycle. He calmly observed all the fun and partook absolutely no part of it. I was bitterly disappointed. That day I learned that beautiful messy art activities aren't for everyone. However, if you are consistent and keep art activities in your kids life, eventually they'll find some form of art that is right for them (for example, my kid's favorite art activitiy is playdough. *Not* messy painting). Storytelling with toddlers is really similar in this aspect. Not every kid will be eager to participate in a storytelling c

My portable story circle classroom

Our story circles are usually "a movable feast". As I've mentioned in another post , story circle can happen practically everywhere: indoors or outdoors, online or in person. The location and the method of delivery can also change as the circumstances change: the weather is nice? Let's move outside! Flu season and lots of kids sick at home? Let's have a virtual meeting! This is why I find it very helpful to have a handy "portable story circle classroom", to take with me to whatever location we're meeting at this week. Artist and art educator Nona Orbach, the author of "The Good Enough Studio: Art Therapy Through the Prism of Space, Matter, and Action", describes  here  how in the times of covid lockdowns and restrictions she helped her students to organize their own individual tiny studios with some paper and pencil cases. I found Orbach's story really inspirational: you don't need a big well stocked studio to create art. You also d